Archive for reading

Voice

Opera Diva Strikes Again

Opera Diva

David Corbett over at Murderati has got me thinking about voice in fiction writing. Below I’ve got 5 story openings. I haven’t put down the authors because it is interesting to read them without having the author’s prestige, or lack thereof tied to the quotes. Even in these few opening lines, each voice is quite distinct. Who do you read because their voice is just so compelling?

1.In his seventeenth year of life, Jai gained an empire and lost everything he valued.

Stately buildings faced a plaza tiled in white and grey stone. clouds hung low in the sky, their drizzle saturating the air. Evening had come, a time when the heat of the sixty-two-hour day on the world Delos called enough to make the temperature tolerable for its human colonists

2. The world is full of broken people. splints, casts, miracle drugs, and time can’t mend fractured hearts, wounded minds, torn spirits.

Currently, sunshine was Micky Bellsong’s medication of choice, and southern California in late August was an apothecary with a deep supply of this prescription.

3. The ministry of State Security had been positively shocked when they found that a Nazi agent, more heroic than prudent, had almost reached N. Rogov.

Rogov was worth more to the Soviet armed forces than any two air armies, more than three motorized divisions. His brain was a weapon, a weapon fo the Soviet power.

4. Clayton Sparrow lay in bed, head propped on a hand. His gaze traveled the length of Anna Wassar’s back, muscled like a swimmers, it flowed to a deep curve just before it melded into the opulent rise of her buttocks. With his forefinger he traced the line of his gaze.

“So you see how important it is to go. There is so much to be learned.”

“Hmmm,” murmured Clay. He hadn’t a clue what she was talking about, and now was no time to ask and risk putting her off.

5. This is Lexie Madison’s story, not mine. I’d love to tell you one without getting into the other, but it doesn’t work that way. I used to think I sewed us together at the edges with my own hands, pulled the stitches tight and I could unpick them anytime I wanted. Now I think it always ran deeper than that and farther, underground; out of sight and way beyond control.

Choosing Writing Advice

reading_books

After reading the May 31, 2011 blog entry by Tess Gerritsen at Murderati, I decided to read PD Martins comment recommendation of Renni Browne and Dave King’s Self-editing for Fiction Writer’s and Donald Maass’s Writing the Breakout Novel.

I started with Maass, though not with Writing the Breakout Novel. It was not available at the library so instead I picked up The Fire in Fiction: Passion, Purpose and Techniques to Make Your Novel Great.

A wonderful thing about writers is their generosity in sharing what they know, in telling you what works and what doesn’t. This is a bounty that doesn’t happen nearly as often with the non-writing arts.

What troubles me is that some writers, and even more often agents and editors, take on a hectoring note in their admonitions.

Immediately, Maass manages to instill doubts in me over my motivation as a writer. His introduction alone had me feeling rejected rather than guided. Why? Because he divides writers into two groups: Status Seekers and Storytellers. If you are a Status Seeker, you are a loser and if you are a Storyteller (and don’t bother your agent and editors too much) you are gold.

So, before the book fully begins you are asked to put on the sorting hat and if you are Slytherin fuggetaboutit. But what if you are a whole lot Gryffindor and Ravensclaw, a little Hufflepuff AND some Slytherin? Suppose that this week you are wearing your Slytherin robes because you need to find an agent or publisher, or at least do something toward getting your work out there? Maybe it’s ready, and maybe it’s not, but the only way you’re going to know is to give it a shot.

Mr. Maass, as an agent, is an arbiter. He decides yes or no constantly in his day job. Perhaps he can’t help making things black and white. To be fair, I agree that if you live to tell stories you are more likely to keep on doing so no matter the height of the pile of rejections. But even the most devoted storyteller, the most dedicated to developing his craft, needs readers. Without readers Storyteller may as well not write. Storyteller needs to get noticed so that readers can find him.

I’m sure Mr. Maass knows this and wanted only to help Young Writer along the path of love and passion for story and it’s crafting, but he obviously managed to get up my nose with the tone of his introduction. For now, I’ll keep reading, but I’m wary and not fully on board.

Disclaimer: No I have not submitted anything to the Maass Literary Agency — yet.

Note: In the cool light of the morning I found I liked the Practical tools at the end of the first chapter quite well.

Trees

Trees are definitely on my sweet-spot map. Ask me what a sweet-spot map is sometime. I’ll be happy to explain. Here is a tree images from my portfolio.

It’s the weekend so ideally I should not be writing because I’ve decided to give myself weekends off, but I wasn’t able to get much done during the week, so in fact it is a working weekend. Truly all my weekend are working weekends. There is always housework and laundry that has piled up during the week, and all housework and laundry makes for a dull existence so write or paint on the weekend anyway. I just don’t pressure myself quite as much.

The scene that I should have written this week is one were Ursus, a young student at a wizardry school is confronted by his teacher, Master Donger, for making a mess–literally a mess of porridge–on the Great Hall floor.

And now, back to Master Donger’s umbrage with Ursus.

Young Adults past the age of 50

A while ago, I downloaded Cory Doctorow’s book Little Brother from his site. ( http://craphound.com/ ) I read part of it on my eee-pc (Linux OS of course) but, hey, I still like paper books.

Last week a friend at the office loaned me his copy of Little Brother. I just finished it and it was music to my geeky ears.

Today, I’m going out to buy my own copy of Cory Doctorow’s Little Brother, and then I’m going to the library to pick up 5 Novels, by Daniel Pinkwater, so that I can read The Boy from Mars by Alan Mendelsohn.

Some of us will always be young adults. If you are one, try also Kathe Koja’s Buddha Boy,